Jazz Concert Reflection Essay

chicane is a musical movement that began in African American communities in the southern United States near the beginning of the twentieth century. It was a new style of music that brought unitedly music traditions from West Africa and Europe. Some of its West African musical influences travel by get by its unique sound. steer has m each different elements, which are improvisations, swinging, victimization blue notes, and combining different rhythms. I go to The Bill and Helen Murray Jazz Residency Program featured Ellery Eskelin on the Saxophone with Susan Acorn on the pedal point steel guitar and Michael Formanek on the acoustic bass and The Towson University Jazz mental faculty corps de ballet Featuring Dave Balloy on the trumpet, flugelhorn, and piccolo trumpet, Jim Mc falls on the trombone and baritone, Tim Murphy on the piano, Jeff vibrating reed on the bass and last but not least, Frank Russo on the drums and cymbals.At each concert about four songs were discharge ed. The musical elements in two performances that classify the music I comprehend as jazz were the swing rhythms and improvisations. The Jazz Residency Program was based on improvisations. for each one assumeer at this concert had the ability to instantaneously compose, revise and perform their parts amazingly. As Ellery played the Sax, Susan and Michael played their instrument spontaneously creating blank melodies.At the Jazz Faculty ensemble, the musicians played songs that were previously written. Their musical styles were mostly bebop and swing with lots of call and respond. Jim Mc falls would play his trombone and all group members would follow after him. The song Moodly sounded standardised bebop, because in that location were a lot of bass drum bombs and accented clashes. Marsch der freien Sound fur Funf Instrumente was also a bebop song that was played with extended harmonies and tonal clashes.Some of the non-traditional jazz elements that I hear were played at both of the Jazz Concerts. Susan Acorn played the pedal steelguitar, which I found to be a non-traditional element. The sound was completely different from what I had ever heard before. At the Jazz Faculty Ensemble, Dave Ballou played the Piccolo Trumpet for the last homo Conversion. The high-pitched sound made the song slur and pass with soft melodies.Listening to each concert, gave me two totally different experiences. The Jazz Residency concert was all improvisations, so it didnt remind me of any of the music I had heard before. The Jazz Faculty ensemble was a reminder of music styles like Art Tatum, John Coltrane, and Duke Ellington. When they played Hamster in a bucket its reminded me of In a Mellotone by Duke Ellinton. because Dave Ballou played the trumpet in the song Cry Baby like Miles Davis played the trumpet in the song So What.In conclusion, the graphic symbol of both performances was outstanding. Each performance was completely different and thats what I loved. The jazz residency program was completely improvised, leaving me opened and surprise at every note each player chose to play. The Jazz Faculty Ensembles songs had a distinctive vibe. They made the sounds of their music recognise together and I felt the rhythm. I would defiantly pay to jaw each performance again. I left the concerts smiling, because I felt as if I knew exactly what they were trying to accomplish with their music. The two ensembles I attended featured some of the most talented musicians I ever heard performing at Towson University.