Movie Reflection

What is in your word picture? ENG 225 Hannah Judson March 15, 2010 What is in your moving-picture show? How does wizard abbreviation a word picture? How does one watch a motion-picture show? What atomic number 18 you looking for in the delineation? When you watch the depiction, does the movie discriminate you a story or do you learn well-nigh(prenominal) life lessons from it? Movie making is considered an industry and an art form as an artist media, it erect come in a form of smell. A movie has so m either components intertwined into it to make it all(prenominal)where each(prenominal) and complete. whence, is there any one component that is superior to the new(prenominal) when the creators atomic number 18 composing the movie?There are so more elements and components apply in creating and analysis a movie. However, before we take a look at those elements, lets take a look at the history of acquires. lets start with beneathstood dashs many an(prenominal) reserved directs were produced in the joined States back in the early 1900s. However, filmgoers never truly got to enjoy the film in the theaters as they were intended to be jutn. Silent films were meant to be viewed with the intentions of a full musical orchestra behind the film as was the case with The kindred of a Nation in 1915 (Griffith, 1915).The silent film, with the full musical piece tricking behind it, made the movie experience seem a great deal more complete. Now days, so many years later, after the airplane pilot context, the films get hold of lost the excitement as was intended by the directors. As we look more into the actual making of the film itself, for each one and all film was phonograph recorded on a quaver of film. Until the nucleotideardization of the hump speed of 24 frames per second (fps) for sound recording films in 1926, silent films were gap at vari adequate speeds or frame rates, typically anywhere from 16 to 23 frames per second or faster.Unless carefully shown at their schoolmaster speeds they can appear unnaturally fast and jerky, which reinforces their alien appearance to modern-day viewers. Eventually, they had the strength to add shades of likeness into the film. When they wanted to add color into a particular shot, they would actually gift to hand paint the semivowel prior to the film being projected. After many attempts to color each slide and make a complete movie, the directors realized how difficult and time consuming it was to complete it. As time went on, they tried to use some other technique known as tinting this was finished with(p) by alter the film stock prior to printing on the film.This two-color effect would vaunting the look of black and white and whichever other color that it was tinted in, for congressman, if they wanted to buzz off a night scene, they would tint the stock blue to make the allusion of a night scene. As was the case in the movie Intolerance (Griffith, 1916), by the Pioneer director D. W. Griffith, also known as the, Father of American Films (Boggs & Petrie, 2008, p. 482). some other coloring technique that was used was known as toning this was weare by adding dye to the film itself so that the lines of the look were colored.By feature the two steps of toning and tinting gave it a two color image experience. Furthermore, as it comes to the langue of the silent films, we could hear a breath taking and moving experience plane without the actors saying a word. When the actors were acting in a silent film they were able to communicate and express to the audience by frame language, purely by visual elements. How they were able to say so much and have the audiences attention and involvement was through by their ability to communicate with their eyes, mouth, hands, and body movement.For example, in the movie, City Lights (Chaplin, 1931), Charlie Chaplin, was able to get the audience involved and laughing with his ability to use his bo dy language and facial expression. He would make distinct facial expression with his eyes, eyebrows and mouth to dis profligacy a stage of concern, happiness, or disbelief, and his ability was truly powerful. The silent film language was not limited to the face unsocial it was expressed by all aspect of the actors body. Another real all important(predicate) element of silent films was the actors ability to walk. We would think that being able to walk in a film would have no merit to it.No so, as in the case of Charlie Chaplin, he had a very unique walk of his own. When Charlie Chaplin would walk in the film, you could tell who it was without even seeing the actors face. It has stated that silent films at its best could express ideas that words itself could not express. As we have enjoyed silent films for many years, we have come to love and enjoy other forms of techniques that unfortunately were not in the silent films. For example, as we moved out of the silent film era, we mo ved deeper into sounds and we are therefore able to hear the talks that gives a distinct type of expression and experience.Considering that film is usually model of as a visual medium, sound plays an incredibly vital role. There are three very important elements that go into creating sounds in accomplishment films, they are, sound effects, dialogue, and musical score. By adding these elements into the movie, they are increasing the involvement and effectiveness of the experience. Capturing great quality of sound for the movie is another craft that you allow need to learn. If the film contains dialogue, it is very important to be able to record it so the words and mouth movements match up this is known as lip sync.Shooting film is not proficient getting a hold of a camera, unlike video, you cannot just record sound straightway into the camera, and you allow need to record onto sound- save equipment, like a tape recorder. Although the Nagra reel to reel was the standard for de cades, DAT (Digital Auto Tape) has captured the market because of its quality, convenience, and price. Sometimes when recording a film and the dialogue is not very clear during the accept and must(prenominal) be re-recorded in a studio, preferably using the identical recording equipment used during the shoot, this is known as dubbing.There are many unlike types of equipment that are available for recording known as the ADR (Automatic talk Replacement). When it is necessary, the actors would sit in a sound-proof booth with a screen to play back the movie and allow the actors to re-enact the scene and re-record the dialogue all over again. On feature films, sound engineers use huge multi-track mixing desks and high school quality monitor speakers to ensure that the audio is well-balanced and what needs to be heard is audible. Furthermore, any sounds that were not captured during the shoot are added at the post-production stage.Work on sounds that need enhancing footsteps, doors, creaking, and so on, are usually done by a Foley artist. They create and record all manner of sound and noises in a studio using their own favorite props. A great example that a Foley artist would be used for would be any invigorate movies. My favorite animated movie of all time is Monsters Inc. ( Docter, 2001). All of the different sound effects that were made, for example, when Sully was riding around on different doors, the Foley artist had to create the sound of a pulley.Another example of this would be from the movie Titanic when the ship was shift apart and people were jumping into the water, the sound crew and Foley artist had to implement the sounds by creatively using breaking wood pieces and splashing water as a sound effect. neer the less, the quality of the equipment is very important for any sound crew member. They w reverse need to be using some sort of a microphone professional shotgun microphones are extremely sensitive and will hustle up an incredible amount of ambient sound, despite their narrow recording field.To ensure that they capture only the actors constituent, they need to have the microphone as close as possible to them this would want to be done by mounting the microphone onto a boom stick. Apart from the environ rational sounds, dead reckoning the movie right(prenominal) has the added challenges of picking up the wind sound however, this can be eliminated if they were to use a wind boot. Whatever equipment or methods they might be using to record the sound, getting the best voice recording is imperative, even though it is possible to do voiceover in post-production the actors are not always able to recapture the intensity of the moment.This adopts me into what is the next important element of the movies, effective storytelling. Maybe there is no absolute even off way to tell a story, however, I am sure there is probably a wrong way, which will be obvious if you dont capture the audience. I feel the trick of storytelling is not what you say, except how you will say it. How you tell the story will also be how the audience will interpret it. This is a common device that is used to sway peoples opinion or to gain good-will for a person or event.For feature films the general idea is that you have to grab the audience at bottom the first ten minutes, although this really nub that the screenplay needs to catch the reader within the first few pages or take the chance of it being rejected. A credible story has many elements that need to be twine into it, for example, the theme of the movie could be the important focus, however, other elements like the book of factss, plot, and conflict must be carefully selected so they are uniformed in their relationship so the theme of the movie is clear.By doing this you are able to confirm the audiences attention and sitting on the bound of their seats expecting more. There are different components of the film that will glide by some moviegoers interested however , those similar components might be boring to other moviegoers. So how does one develop a storyline that will keep everyones interest? That might be done by the informality of the film, by clearly and directly communicating, so that it is clear to all moviegoers. However, some moviegoers like the more complex challenge of using their intellectual minds.This is done by the writes ability to implement dramatic or emotional expression, by achieving the maximum intellectual or dramatic impact. The author would then develop the storyline in a linear or non-linear format. The storyline would still be composed of the same elements of exposition, complication, climax, and denouement however, it would just depend on the way they were structured in the storyline. For example, in the movie Titanic (Cameron, 1997), at the beginning of the movie, they showed an elderly Rose talking with the researchers virtually the gemstone necklace.However, when she starting telling the story of how she r eceived the necklace, they flashed back decades ahead to the year the ship first set sail, this is known as non-linear structure. In addition, conflict is another major degree of complexity within the film. When I recently watched the movie, One Flew Over the Cuckoos nose (Forman, 1975), I noticed the dramatic component of human conflict between Nurse Ratched and the affable patient Randall Mc Murphy. They struggled constantly throughout the movie until the very end when Randall received a frontal lobotomy.Needless to say, the conflict between Nurse Ratched and mental patient, Mc Murphy, was not the only thing that I noticed from the movie. The actors ability to portray the characters that they were playing really stood out to me. I noticed the roles of Miller vie by Alonzo Brown, Turkle played by Scatman Crothers, Martini played by Danny DeVito, were done in an impersonator role, they all had the ability to take on the personality traits of a mentally ill patient. As was the ca se of Rudy, who was played by, Michael Jeter, in the movie Patch Adams (Shadyac, 1998), musician MichaelJeter had to take on the characteristics and traits of a very disturbed Schizophrenia patient. He very successfully portrayed the behavior of someone suffering from the mental illness of schizophrenia. Schizophrenia causes affected people to exhibit odd and a great deal highly irrational or disorganized behavior, included such symptoms as anxiety, restlessness and hallucinations. In one of the scenes, Rudy, who was a patient in the mental ward, had mentioned to Patch that he needed to use the restroom and then instantly, Rudys mental state changed, he was hallucinating that he was being under attack by squirrels.For someone who did not really suffer from this disease, by his ability as an actor that he was actually suffering from the disease, he sure convinced me. In this scenario, I feel that Michael Jeter developed his character from the inside out approach. He was able to fu lly understand every aspect of his characters personality and develop the behavior from there. non the case of Robin Williamss character, Patch Adams was developed on the outside in approached. Robin Williams portrayed a living person therefore he had to learn everything about this character form the source.With this approach, the actor must know everything there is know about this certain individual, his likes, dislikes, his behavior, his wants, his needs, what makes him tick, and especially his understanding of humor. I am sure that this particular interpreter character was not very difficult for Robin Williams to get into character. He has always been very successful as a stand up comedian, therefore, when he was asked to play this character he seemed to be right at home. When I agree to think about the real reason behind why movies are made, one can only think about the true intentions of the film industry.There are many reasons why screenwriter, directors, producers, and ev eryone else that are involved with the creation of the film. What stand out the most is how the film makers are able to depict so many important issues that need to have a wide lay out of peoples attention. What better way for something to be brought to the attention of thousands, even millions of peoples attention, except through a film, plays, stage performances, or musicals. They are creatively brought to light through different genres, a comedy, documentary, drama, musical, or any other form of entertainment.Some are of true life stories, others are done through the creative mind of an artist. With this we get to see the lead actor, supporting actor, super hero, villains, demons, tricksters and many other characters that are brought to life through the films creator. Furthermore, it is important to understand the elements that are woven into the creation. As I wager this paper to an end, I hope that in some way you are able to understand that there are many components that are woven into the creation of a film that is extraordinarily magical.To be able to see the magical transformation within the experience is an individual experience that one must find within them. I know for myself, I have seen and experience something new and hope that everyone else has the ability to find and encounter the same extraordinary experience.