Comic Art: The Seduction of the Innocent Essay -- Comics Art Artistic

Comic Art The Seduction of the Innocent In 1991, at the 13th Annual World Fantasy Convention, an issue of the comedian book of account series The Sandman was selected by a panel of experts in the field as the Years Best Short Story. This was not the send-off time that a fishy book has been nominated for a prestigious literary prize (the first and only previous one macrocosm Art Spiegelmans retelling of the Holocaust in animal fable form Maus for the National Book Critics Circle acquaint in 1987), but it was the first to have won. The ensuing uproar at the awards ceremony and the umbrage that many took at a mere comic book winning instead of a standard-print story resulted in the rules of the awards being changed. Henceforth, no comic book could be nominated, much less win. manage the people at the World Fantasy Awards in 1991, most of us would not think that a comic book could reside on the same level of artistic creativity as a paintings, epos novels, poems or concertos. Were the eminencies at the awards right then, in rejecting the notion of The Sandman as publications? For the comic to have been selected, by a panel of blue-ribboned experts, no less, sure as shooting there has to be something in The Sandman to render it worthy of the honour of receiving the award. For us to understand what it was about The Sandman that caused such a reaction, indeed, such fear, we have to sack out what, in the first place, a comic is. When we speak of comics we generally represent either the funnies -- comic strips in the newspapers - or of superheroes, spandex optional, who fight crime and make unnecessary the world on a regular basis. The comics can be broadly speaking defined as a narrative in the form of a sequence of pictures - usually, but not always, with text (Sabin, 5). A graphic ... ...eil et al. The Sandman 29 Distant Mirrors - Thermidor. Canada, dizziness/ DC Comics, 1991. Gaiman, Neil et al. The Sandman 63 The Kindly Ones - Part 7. Canada, Vertigo /DC Comics, 1995. Inge, M. Thomas. Comics as Culture. University Press of Mississippi, 1990. Lent, John A. Pulp Demons International Dimensions of the Post-war Anti-Comics Campaign. capital of the United Kingdom Fairleigh Dickinson University Press, 1999 McKean, Dave. Dustcovers The Collected Sandman Covers 1989-1997. Canada, Watson-Guptill Publications, 1997. Plato. Republic X, The Collected Dialogues of Plato, Including the Letters. Ed. Edith Hamilton and Huntington Cairns. Trans. Paul Shorey. Princeton Princeton UP, 1961. Romemesko, James. The Mike Diana Saga. http//php.indiana.edu/mfragass/diana_obsure.html. 1994. Sabin, Roger. Adult Comics An Introduction. red-hot York Routledge, 1993.